The Quest for Order in the Man-made
"The old relationship between man and the world—a relationship once heavy with myth and intimate with meaning—has been replaced by our new, precise, objective, dispassionate observation of the world with the result that our understanding of our experience of the world has been curiously mutilated. The world is still there—more there than ever—bright and sharp and analyzed and explicable. But we ourselves, facing the world, are not there. Our knowledge, that is to say, seems to exist . . . independently of us, or indeed any knower—scientific knowledge stated in its universal scientific laws, its formulas and equations true for all men everywhere and always, not for a single man alone."
— Archibald MacLeish, as quoted in Nature …, p. 23
"Without a hogan you cannot plan. You can’t just go out and plan other things for your future; you have to build a hogan first. Within that, you sit down and begin to plan."
— Frank Mitchell, Navajo Blessingway singer, as quoted in Nature …, p. 34
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Top to bottom: Early Chinese ideo-gram for shelter, petroglyph from 3500-3000 BC depicting domesticated animals. |
Evidence of a European town, 4,700-4,500 BC. |
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Images by Norman Crowe in Nature and the Idea of a Man-Made World, courtesy of MIT Press. |
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Plank House of the tribes of the Pacific Northwest in North America
Image courtesy of Norman Crowe
The Haida plank house is not untypical. It was positioned on the beach (the domain of man), and faced the sea (domain of the sea spirit embodied in the otter), and behind it was the forest (domain of the forest spirit embodied in the raven). Its construction featured four prominent corner posts (representing the 4 quadrants of creation), and at its center is the hearth, with the smoke hole above, symbolic of the axis mundi. The shaman on special ritual occasions climbed through the smoke hole symbolizing his access to knowledge of the spirit world, while during an ordinary day, light from the sky through the smoke hole symbolized enlightenment from the spirit world of the sky. Virtually everything bore symbolic relationship to the natural world—an enchanted cosmos.
Typical Navajo Hogan (Nature..., p. 37)
Image by Norman Crowe in Nature and the Idea of a Man-Made World, courtesy of MIT Press.
Used with permission. All rights reserved.
House, Santa Clara Pueblo, c. 1935
Image courtesy of Norman Crowe
"We Pueblo people hold healing ceremonies for our homes just as we do for members of the community. Our structures are extensions of our world order and are viewed as living beings with life and death cycles. Shelter is not just a place to live but an extension of the natural world or of the sacred realm. The house reflects the relationship of earth and sky, mother and father. Houses are also symbols of the larger ordering of the universe in which mountains, hills and valleys define spaces where humans can dwell. Building and creating shelter is to bring the human and cosmic forms together. The roof or ceiling of the structure may be seen as the sky or the father which protects and nourishes the people who live inside. The floor is the Mother Earth, which embraces us when we die."
— Tessie Naranjo, Santa Clara Pueblo, New Mexico
Dwelling: Heidegger noted that the Old English and High German word for house, baun, meant “to dwell.” In English we define “house” as “a private dwelling.” (Nature …, p. 39)
The house is the center of one’s universe. The Latin word for hearth is focus. Before the invention of the enclosed fireplace, the hearth stood at the center of the house, beneath a smoke-hole through the center of the roof.
Image courtesy of Norman Crowe. |
The Hellenistic Greek city with its agoras enclosed by stoas. In the hierarchy of spaces the agora served the public the way the peristyle court served the family. (Nature …, p. 43) |
Gaston Bachelard reflected on the house as one’s first experience of man-made form and space in our childhood: “for our house is the corner of the world. As has often been said, it is our first universe, a real cosmos in every sense of the word.” (Nature …, p. 41)
Mircea Iliade described “the house” as “the universe that man constructs for himself by imitating the paradigmatic creation of the gods, the cosmogony.” He shows how elements of the house are symbolic to us, whether we are conscious of it or not. (Nature …, p. 41 – 42)
We will talk about the evolution of architecture, building practices, and urbanism later, but here we will consider the evolution of the house as central to the formation of culture.
The Mediterranean courtyard or peristyle house may be seen as having evolved from the more primitive megaron, a free-standing element that turned inside out, so to speak, became a peristyle house. In the peristyle form, it could be packed together with others like it along a street to begin to make a city.
In ancient Greece, the public gathering space of the agora is like the peristyle house enlarged from the domain of a family to that of the whole community: the polis. (Nature …, p. 42-44)
Image by Norman Crowe in Nature and the Idea of a Man-Made World, courtesy of MIT Press. Used with permission. All rights reserved. |
Mediterranean peristyle house as it may have evolved from the archaic megaron, top, to peristyle city house, and....integrated in the Hellenistic Greek city with its agoras enclosed by stoas. In the hierarchy of spaces the agora served the public the way the peristyle court served the family. Nature..., p. 43 |
Another example is the Roman insula, or apartment house. By the time of the Italian Renaissance it had evolved into the palazzo, a residence for an extended family of the affluent merchant class. (Nature …, p. 46)
| Roman insula | Renassaince palazzo |
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Images by Norman Crowe in Nature and the Idea of a Man-Made World, courtesy of MIT Press. Used with permission. All rights reserved. |
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